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Equipment

Our studio has been basically optimized for recording live music. This means that we are able to simultaneously record several instruments on multiple tracks. We use the British-made Focusrite sound cards and microphone preamplifiers. In addition to digital technology, we apply external analogue dynamics processors and effects, and last but not least, we use the English-made Studiomaster mixing console. In order to record music for commercials, narratives and create synced recordings in the live room, we apply an image projector. Magnetic tape recorders, cassette recorders and LP players are used for multiple archiving and sound restoration.



DAW - main:
Focusrite Liquid Saffire 56    28 in-, 28 out · 24-bit/192 kHz · 18 x 16db DSP Mixer · Dynamic range (A-weighted): 109dB · signal to noise ratio (A-weighted): -109dB · 2 channel DSP premaplifier simulations (API 3124+, Avalon VT-737SP, Focusrite Red 1, Helios Console, Manley Slam, Neve 1073, Pultec MB1, Telefunken V72, Universal Audio 610, Millennia HV-3D)

DAW - mobil-1 (gigs, location recording):
STAUDIO ADC&DAC2000   24 in-, 24 out · 24-bit/48 kHz

DAW - mobil-2 (stereo location recording, riports, narrations):
Digidesign Mbox   2 in-, 2 out · 24-bit/48 kHz

DSP:
Focusrite LiquidMix

32 channel dynamic and EQ. Dynamic: API 2500, DBX 165, Empirical Labs EL8 Distressor, Fairchild Model 670, Focusrite ISA 130, Focusrite Channel Strip, Focusrite Red 7, Manley Slam, Jeo Meek SC2, Millennia STT-1, NEVE 2254/A, NEVE 33609/B, NEVE VR CONSOLE, PYE 84 4060/01, SMART RESEARCH C2, SOLID STATE LOGIC FX G384, SOLID STATE LOGIC SL 4000 G+, AVALON VT-737SP, SOLID STATE LOGIC SL 510, SUMMIT DCL-200, SUMMIT TLA-100A, TELETRONIX MODEL LA-2A, TL AUDIO C-1, TUBE TECH CL-1B, TUBE TECH LCA 2B, UNIVERSAL AUDIO 1176LN, UREI MODEL 1176LN, UREI/TELETRONIX LA-3A, BSS DPR402, UREI LA-4, CHISWICK REACH, DRAWMER DL221X, DRAWMER 1960, DBX 160S

EQ: NEVE 1073, Avalon Vt 747sp, Pultec EQH-2, EAR 8220, SSL E Series, SSL G Series, Manley Massive Passive, Amek Angela Console, Avalon Vt 737sp, Avalon 2055, Platinum Bass Factory, API 550b, Chandler Limited EMI Passive TG Abbey Road, API 559, Pultec EQP1, Pultec MEQ5, Focusrite Platinum Voice Master EQ, Focusrite ISA 115, NEVE 1058, API 550a

UAD    CS-1 Channel Strip (EX-1 Gate&Compressor, DM-1/DM1L Delay Modulators, RS-1 Reflection Engine), 1176SE Limiting Amplifier, Pultec EQP-1A, Realverb Pro, Nigel

TC Electronic PowerCore    24/7-C, Chorus-Delay, Classic Verb, EQ Sat, MasterX3, MegaReverb, PowerCore CLVintage, VoiceStrip


Microphone Preamplifier:
    Focusrite OctoPre MKII    8 channel, 24-bit/96 kHz, Dynamic range: 110 dB
    Focusrite Digidesign MBOX    2 channel, 24-bit/48 kHz, Dynamic range: 101 dB
    Focusrite Liquid Saffire 56    6 channel, 24-bit/192 kHz, Dynamic range: 109 dB
    Focusrite ISA One Digital    1 channel (mic.), 1 channel (DI) 24-bit/192 kHz, Dynamici range: 119 dB
    Focusrite Liquid Preamp    2 channel, 24-bit/192 kHz, Dynamic range: 109 dB, DSP preamplifier simulations
    DBX 386   2 channel tube microphone/instrument preamplifier
    TL Audio Ivory2 5051    1 channel tube microphone/instrument preamplifier/processor
    T8100, T8200, T8300   2 tube microphone/instrument preamplifier/processor

Monitoring:
YAMAHA NS-10M
Electro-Voice Link9
ARCUS AS-10
STUDER Revox BX-230
AUDIOLAB 8000Q preamplifier, PARASOUND HCA-800II amplifier
ARTECH MX-70 amplifier (sub), ALESIS RA-300

Keverőpult - Monitorozás:
Studiomaster Series II 24/16/2, MX3242X (monitor)
EMU1820 (DSP monitor mixing)

Microphones:
Neumann, AKG, Shure, AudioTechnika, Rode, Peavey

Instuments, Preamplifiers:
YAMAHA Stage Custom drum, Zildjian, Paiste, Stagg, Meinl, Sabian cymbals, Warwick Sweet 15.3 bass amplifier, Fender Frontman guitar amplifier, Randall RG100SC guitar amplifier

Others:
YAMAHA KX-393 casette deck, PIONEER CT-737 casette deck, FOSTEX D5 DAT, AUDIOLAB 800CD cd player, PIONEER PL200 turntable, AKAI GX4000D tape



BACKLIGHT STUDIO · HUNGARY - 2120 Dunakeszi, Fenyves str. 21.